![]() Pedal format, tabletop, Euro …I’m starting to feel like the H90 is a rack-in-a-box. To my ears (and memory recall), that exact sound lives inside the H90. I loved that thing, and have been chasing that particular sound ever since. I could probably write a dissertation here on the new algorithms (and H9 algo improvements), but I’ll just mention this: The 1st studio I ever worked in had a ClockWorks Instant Phaser on the rack. Sure, it takes a few run-throughs, like anything with any depth, and, yes, I still forget a procedure or two at times. I find it a logical layout, and not all that difficult to navigate. Once you wrap your head around them, the process(es) flow. Good background, but nothing like the hands-on. It’s one thing to grasp it from the specs and manual. All that chatter about it being “2 H9s strung together” is missing the whole concept. And I still couldn’t pull off some of the stuff I’m doing with the H90, ITB. Same reason a Poly Beebo sits next to 3 H9’s (dry, two H9s in parallel, one in series, mini-mixer, under MIDI control). At times, I might sound ET fanboi-ish, but I’m truly a real fan of sound, and depth of power. There has to be some incompatibilities between machines (extra H90 parameters ignored / unused), but that’s something I need to explore. 1000s, but as fodder for further tweaking, using the superior hardware & algo refinements. What I dread (and wildly appreciate) is loading all of my previous H9 presets into the H90. Crazy good, and I’m still learning better ways to knit things together. But, damn, there’s some cool s*** to be had in this box. Little P, A, B symbiotic triangles of sound design & interconnected control. Byproduct of rethinking my approach and embracing that ‘power of three’ concept in the H90. A couple Lists-full getting smoothed out. My own H90 pre-grams (so far, it seems) are in a constant state of refinement. Don’t think I’ve made it through all of those programs / presets yet. And speaking of sorting, the excellent keyword / algo / list / bank sorting is something I don’t see mentioned. Best batch(es) I’ve seen, and there are a LOT of them to sort through. A BIG rack.įirst off, I have to say that the shipping Factory presets are very, very, VERY good. And I still couldn’t pull off some of the stuff I’m doing with the H90, ITB.Īll that chatter about it being “2 H9s strung together” is missing the whole concept. There has to be some incompatibilities between machines (extra H90 parameters ignored / unused), but that’s something I need to explore.Īt times, I might sound ET fanboi-ish, but I’m truly a real fan of sound, and depth of power. ![]() ![]() ![]() Just imagine what Brock will do with an H90! I can’t wait!įirst off, I have to say that the shipping Factory presets are very, very, VERY good. Eventide is now blowing our minds with the H90. I second that! Brock has already blown our minds with an H9.
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